Holton small and medium bore trombones
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Holton small and medium bore trombones
I don’t know much about Holton small/medium bore trombones. What models pre- and post- the LeBlanc purchase were similar in size to 2Bs and 3Bs? Maybe something like the Martin Urbie Green? Small bore Holtons get virtually no love whatsoever on this site.
Last edited by Bach5G on Thu Mar 07, 2024 6:57 pm, edited 1 time in total.
- BGuttman
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Re: Holton small and medium bore trombones
As I understand them, the 65, 67, and 69 are all small bores.
I own a 67, also called Stratodyne. I'd call it equivalent to a Conn 48H. Great horn for big band. Great horn for Dixieland. Mine came from the estate of a guy who used it in both.
I own a 67, also called Stratodyne. I'd call it equivalent to a Conn 48H. Great horn for big band. Great horn for Dixieland. Mine came from the estate of a guy who used it in both.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
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Re: Holton small and medium bore trombones
My 1966 Special is .500.
"When in doubt, blow out" - MSgt M.A. Mayo, Marine Band
The contest entry form said "Void where prohibited", so I peed on the Captain's desk.
The contest entry form said "Void where prohibited", so I peed on the Captain's desk.
- Doug Elliott
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Re: Holton small and medium bore trombones
I have one of these, which seems to be .500/.508 but I don't know if it had a model name or when it was from.
Should be around 1940, their movie Saps at Sea
Should be around 1940, their movie Saps at Sea
"I know a thing or two because I've seen a thing or two."
- Finetales
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Re: Holton small and medium bore trombones
As far as I know:
62 = ?
63 = .480-.495"/7.5"
64 Resotone = ?
65 = .485"/7" or 7.5" rose brass
66 Galaxy = .485-.500"/7" (67 mandrel) all nickel
67 Stratodyne = .485"/7" rose brass
69 = .485"/8" rose brass - .481-.491
TR-100 Virtuoso = .500"/8" rose brass
TR-101 = .485/7.5" - .509"
TR-102 = .485"/7" - .485-.509"/8" or 7.75"
TR-401N Galaxy = .485-.500"/7 3/8"
TR-501 Special = .500"/8"
TR-602 = .500"/8" (student model)
62 = ?
63 = .480-.495"/7.5"
64 Resotone = ?
65 = .485"/7" or 7.5" rose brass
66 Galaxy = .485-.500"/7" (67 mandrel) all nickel
67 Stratodyne = .485"/7" rose brass
69 = .485"/8" rose brass - .481-.491
TR-100 Virtuoso = .500"/8" rose brass
TR-101 = .485/7.5" - .509"
TR-102 = .485"/7" - .485-.509"/8" or 7.75"
TR-401N Galaxy = .485-.500"/7 3/8"
TR-501 Special = .500"/8"
TR-602 = .500"/8" (student model)
Last edited by Finetales on Fri Mar 08, 2024 12:42 pm, edited 1 time in total.
- ithinknot
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Re: Holton small and medium bore trombones
Some of that isn't right...
My 69 is a .481-.491 dual; in the 2B manner, the stockings match so you can't tell just from flipping the outer slide.
TR-101 was a straight .509/7.5" yellow
TR-102 was a dual .495-.509/supposedly 8" yellow; the bell was obviously shared with the Martin Urbie, and the one I had, like some Urbies, was actually 7 3/4"
Both are super rare - I've only ever seen one of each for sale, and the TR-102 was mine... it was the first horn my parents bought for me.
My 69 is a .481-.491 dual; in the 2B manner, the stockings match so you can't tell just from flipping the outer slide.
TR-101 was a straight .509/7.5" yellow
TR-102 was a dual .495-.509/supposedly 8" yellow; the bell was obviously shared with the Martin Urbie, and the one I had, like some Urbies, was actually 7 3/4"
Both are super rare - I've only ever seen one of each for sale, and the TR-102 was mine... it was the first horn my parents bought for me.
- Finetales
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Re: Holton small and medium bore trombones
Corrections noted. This is just what I've been able to find out of the sparse information on the Internet.
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Re: Holton small and medium bore trombones
I have a 1965 model 65 which I think I saw somewhere was the last year it was made. It was advertised as a Buddy Morrow endorsee. I can confirm .485" bore, bell just a shade under 7 1/2". Depending on semantics it has gold/rose bell. It plays big, much bigger than .485 would indicate, and can make a lot of volume if you want.
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Re: Holton small and medium bore trombones
The only pro-level medium bore they made that I’m aware of was the TR-161, which was made in the 90’s-early 2000’s.
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Re: Holton small and medium bore trombones
I use a TR-161. Nice .525 medium bore trombone.
- DaveAshley
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Re: Holton small and medium bore trombones
Martin Urbie Green horns were all built by Holton, and have Holton serial numbers.
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Re: Holton small and medium bore trombones
Anyone know what mouthpiece was shipped with the 67 stratodyne? My dad had one and I think the marking on the mouthpiece said Holton 48 but not sure.
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Re: Holton small and medium bore trombones
I have been meaning to post these pictures for awhile. I have heard there were 2 versions of the model 65. According to these two framed advertising pages I have, the redesign was in 1957 since it is "new". I have heard it ran until 1965(but can't confirm) and mine is a 1965 according to the serial number.
You do not have the required permissions to view the files attached to this post.
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Re: Holton small and medium bore trombones
There was also the Tr-602F
8 inch yellow bell at a .525 bore…
8 inch yellow bell at a .525 bore…
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Re: Holton small and medium bore trombones
I have a 1960 65 as well as a 1963 69. Both of my horns are .485 bore, which makes me wonder if the slide specs on the 69 changed at some point.
Although on paper the only measurable difference between them is the 7.5" vs 8" bells, the horns play very differently. The 65 has the heavier bell of the two, plus a soldered rim. It projects really well without requiring a ton of effort. The 69's rim is unsoldered. It's more malleable and has greater near feel than the 65, but doesn't cut through as easily in large ensemble scenarios.
The slides look nearly identical and are compatible with both bell sections. The only visual difference is that the 65 has slightly longer oversleeves. However, the 69's leadpipe is much more open. Because I prefer the more open pipe, but need to cut through in the big band I play in, I've been using the 69 slide with the 65 bell. It's an oddly great combination.
Although on paper the only measurable difference between them is the 7.5" vs 8" bells, the horns play very differently. The 65 has the heavier bell of the two, plus a soldered rim. It projects really well without requiring a ton of effort. The 69's rim is unsoldered. It's more malleable and has greater near feel than the 65, but doesn't cut through as easily in large ensemble scenarios.
The slides look nearly identical and are compatible with both bell sections. The only visual difference is that the 65 has slightly longer oversleeves. However, the 69's leadpipe is much more open. Because I prefer the more open pipe, but need to cut through in the big band I play in, I've been using the 69 slide with the 65 bell. It's an oddly great combination.