Embouchure issues (?) while preparing for auditions
Posted: Sun Dec 24, 2023 1:31 pm
I've noticed that my playing isn't as flexible/as responsive as it normally is due to my embouchure, the upper lip especially.
This stems from my playing this morning. I'm working on an audition piece (Cavatine) and while I was practicing with my accompanist today. I found I was making new and unexpected mistakes, more specifically with partial shifts and detached playing.
The reason I'm wondering if it's an embouchure issue is because I am doubling on euphonium for one of my school bands, and I have had zero instruction on how to play it. I currently am playing a Yamaha 321 w/ a Yamaha 48 mouthpiece.
Reviewing the last month, I have noticed a trend where I notice that my upper lip is consistently taking longer than usual to warm-up to where I can play the more difficult repertoire of the other school band I play in. (I play a 42BO w/ a 6S mouthpiece for that and youth orchestra)
I also play lead in the jazz band on a 2b w/ a Stork T3 mouthpiece, and a mix of 1st and 2nd in the youth orchestra - I've not had any problems with either of those yet.
My audition is on January 13th and I have a lot of practice to do to fully memorize by audition piece, so I'd rather not take a break unless that's what's necessary.
I've read some people will take breaks if they hit certain chops-related issues to try to let the muscles rest and recover - but I'm not sure if this is one of those times when pulling back would help or if this is just a weird quirk that I need to figure out.
So should I:
Take a break?
Double down - but focus less on intensive playing and more on long tones or slow scales for winter break?
Take a break from euphonium for a while until after audition season is over?
Any other advice?
This stems from my playing this morning. I'm working on an audition piece (Cavatine) and while I was practicing with my accompanist today. I found I was making new and unexpected mistakes, more specifically with partial shifts and detached playing.
The reason I'm wondering if it's an embouchure issue is because I am doubling on euphonium for one of my school bands, and I have had zero instruction on how to play it. I currently am playing a Yamaha 321 w/ a Yamaha 48 mouthpiece.
Reviewing the last month, I have noticed a trend where I notice that my upper lip is consistently taking longer than usual to warm-up to where I can play the more difficult repertoire of the other school band I play in. (I play a 42BO w/ a 6S mouthpiece for that and youth orchestra)
I also play lead in the jazz band on a 2b w/ a Stork T3 mouthpiece, and a mix of 1st and 2nd in the youth orchestra - I've not had any problems with either of those yet.
My audition is on January 13th and I have a lot of practice to do to fully memorize by audition piece, so I'd rather not take a break unless that's what's necessary.
I've read some people will take breaks if they hit certain chops-related issues to try to let the muscles rest and recover - but I'm not sure if this is one of those times when pulling back would help or if this is just a weird quirk that I need to figure out.
So should I:
Take a break?
Double down - but focus less on intensive playing and more on long tones or slow scales for winter break?
Take a break from euphonium for a while until after audition season is over?
Any other advice?