I have an Olds Studio I was looking to learn about. It was manufactured in Fullerton and is all silver. Was just curious about its history. I know a little of the Olds brand, but not the Studio trombone itself
You might also check to see if it's dual bore or single bore (i.e., see if you can put the outer slide on "backwards"). The final version of the Studio was .500" single bore; the earlier versions were .485"/.500" dual bore.
Re: Olds Studio Info
Posted: Wed Sep 13, 2023 12:00 am
by Doug Elliott
That's something I didn't know. I might like to try a .500 if I ever run into one. Do you know what year that was?
Re: Olds Studio Info
Posted: Wed Sep 13, 2023 7:29 am
by Trombola2112
Did some looking, it appears to be a '71 and single bore.
Re: Olds Studio Info
Posted: Wed Sep 13, 2023 9:04 am
by JohnL
Trombola2112 wrote: ↑Wed Sep 13, 2023 7:29 am
Did some looking, it appears to be a '71 and single bore.
I've never had the chance to examine one in detail, but I suspect the 1970 version of the Studio is based on the P-15 (8" bell, .500" slide, simple cylindrical braces).
Re: Olds Studio Info
Posted: Thu Sep 14, 2023 8:00 am
by bbadgerd
Doug Elliott wrote: ↑Wed Sep 13, 2023 12:00 am
That's something I didn't know. I might like to try a .500 if I ever run into one. Do you know what year that was?
Doug, I have a 1970 Olds Studio that is single bore. Image link below. Perhaps I can have that one in San Antonio also for you in February along with the William Wallace to try out. Remind me as we get closer to February.
Trombola2112 wrote: ↑Thu Sep 14, 2023 2:22 pm
Interesting. I wonder what led to the change?
Many theories...
Maybe they looked at their line and decided they had too many models that were too close together, given the volume of sales they were seeing? The S-15 Super, T-15 Studio, L-15 Special, and A-15 Ambassador all had the same dimensions (.485"/500" bore, 7½" bell).
Maybe they ran out of stock of the bi-metal Studio bell and decided it wasn't worth the cost of making any more?
Maybe they were looking to add a second model that used the same tooling as the P-15 to help recoup the cost of tooling?
Maybe they felt they needed a second, less expensive model that (like the P-15) was more in line with other common models of the era (i.e., .500" bore, 8" bell)?
Whatever the case, the "new" Studio didn't last long - though the whole "nickel plate as the standard finish" thing was later used on the not only the NL-15 Special trombone, but the NL-10 Special trumpet and NL-5 Special cornet.