Any love for Reynolds 7.5" bell "Professional tenor"?
Posted: Fri Feb 10, 2023 10:36 am
I'm driving a carpool outside my normal area and will have some time to kill tomorrow... So I decided to
check the local facebook marketplace to see if there were any interesting instrument deals.
Someone's selling a Reynolds from 1959 in decent shape (no dents, some lacquer wear... doesn't show the slide-inners at all) it'd kill about an hour vs sitting around doing nothing and be pretty inexpensive.
It seems that it Reynolds literally had a model they called the "professional tenor" model in 1959 when the seller claims it is from.
From what I can gather, it's a 0.500 bore with a 7.5" bell and the comments on the forum seem like people generally think regard them highly - especially for their price.
I was thinking I'd pick it up, and we could decide later if he wanted to keep it (potentially for having as an option for some songs in his high school jazz band) or we could find another home for it rather easily if it plays better than newer student models.
I think the "R" counterweight is pretty cool (it's my son's first initial),
I was thinking worst-case scenario is the slide inners are shot (he doesn't have any pictures of them) - the case itself (assuming it isn't full of mildew stink) has value.
The biggest questions I have - I've found reference that the Reynolds older models had a different sized shank for their mouthpieces. I'm not sure if this applies just to the Contempora line or if it applies to all of their small-bore tromones.
He's already got a King 606 in great shape that's kind of a backup horn and a King 3BF, (and a Yamaha 671 we stumbled across) - if the Reynolds "Professional" is basically at the same level as a 606 it's probably not worth the time it to drive out to get it.
check the local facebook marketplace to see if there were any interesting instrument deals.
Someone's selling a Reynolds from 1959 in decent shape (no dents, some lacquer wear... doesn't show the slide-inners at all) it'd kill about an hour vs sitting around doing nothing and be pretty inexpensive.
It seems that it Reynolds literally had a model they called the "professional tenor" model in 1959 when the seller claims it is from.
From what I can gather, it's a 0.500 bore with a 7.5" bell and the comments on the forum seem like people generally think regard them highly - especially for their price.
I was thinking I'd pick it up, and we could decide later if he wanted to keep it (potentially for having as an option for some songs in his high school jazz band) or we could find another home for it rather easily if it plays better than newer student models.
I think the "R" counterweight is pretty cool (it's my son's first initial),
I was thinking worst-case scenario is the slide inners are shot (he doesn't have any pictures of them) - the case itself (assuming it isn't full of mildew stink) has value.
The biggest questions I have - I've found reference that the Reynolds older models had a different sized shank for their mouthpieces. I'm not sure if this applies just to the Contempora line or if it applies to all of their small-bore tromones.
He's already got a King 606 in great shape that's kind of a backup horn and a King 3BF, (and a Yamaha 671 we stumbled across) - if the Reynolds "Professional" is basically at the same level as a 606 it's probably not worth the time it to drive out to get it.