Two birds/one stone in the practice room
Posted: Mon Feb 01, 2021 9:12 pm
What are you favourite ways to cover off your technique work in the practice room in an efficient manner?
For example, I like to play Bordogni/Rochut exercises in tenor clef, but down an octave. This puts the etudes into the perfect bass trombone range (flow in an out of the valve range) and keeps my tenor clef reading sharp for the occasions it appears on a gig.
Andrew
For example, I like to play Bordogni/Rochut exercises in tenor clef, but down an octave. This puts the etudes into the perfect bass trombone range (flow in an out of the valve range) and keeps my tenor clef reading sharp for the occasions it appears on a gig.
Andrew