Jazz an classical mouthpieces
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Jazz an classical mouthpieces
Hi. I am looking for better, more mature mouthpieces. I currently play on a small shank Bach 6.5 al for jazz and classical, but I am thinking of making a change. Although the 6.5 al still gives me the bite for jazz, I am open to suggestions on getting a new one to improve my tone and overall sound. I play on a small bore King 2b in my top jazz band playing lead, and I would like to try to have a better quality tone. For classical, I play on a Bach Stradivarius small bore f attachment trombone. I feel like the small shank 6.5 al does not provide enough warmth, resonance, and it is hard to blend when it is louder and higher. I am first chair in my high school's wind ensemble and I want a small shank mouthpiece that can give a more orchestral tone for a high notes especially. Blending is a problem in classical, and I also need more warmth, which is hard to get with a small shank, but I would like suggestions for a small shank to compliment my king 2b in jazz for better quality sound and for a small shank to compliment my Bach stradivarius small bore f attachment in wind ensemble for a warmer, more open sound that blends better than my current Bach 6.5 al. All suggestions are welcome. Thanks!
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Jazz an classical mouthpieces
How about a 1 1/2 G and a sledge hammer?
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Lots of folks play the 6.5 mouthpiece for jazz and classical. You need to learn to PLAY the 2B -- it requires less air and more finesse. Every mouthpiece choice is some kind of compromise and the 6.5 AL is a great one to start from.
Now if you told me you were playing a bass trombone for classical and wanted that sound on the 2B I'd suggest you just forget about it. You will never make a 2B sound like a bass trombone. Thank heavens.
I found that the best thing unless your mouthpiece is REALLY getting in your way, is to practice a lot of long tones and lyrical etudes to work on your tone. Or ask your teacher (don't have one? tsk, tsk). Maybe schedule a Skype lesson with Doug Elliott. See if the 6.5 is really limiting you or you are trying to buy your way out of practicing boring exercises.
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Lots of folks play the 6.5 mouthpiece for jazz and classical. You need to learn to PLAY the 2B -- it requires less air and more finesse. Every mouthpiece choice is some kind of compromise and the 6.5 AL is a great one to start from.
Now if you told me you were playing a bass trombone for classical and wanted that sound on the 2B I'd suggest you just forget about it. You will never make a 2B sound like a bass trombone. Thank heavens.
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I found that the best thing unless your mouthpiece is REALLY getting in your way, is to practice a lot of long tones and lyrical etudes to work on your tone. Or ask your teacher (don't have one? tsk, tsk). Maybe schedule a Skype lesson with Doug Elliott. See if the 6.5 is really limiting you or you are trying to buy your way out of practicing boring exercises.
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Jazz an classical mouthpieces
Its pretty standard for high schoolers to switch to a 5g size. For most it will open up and darken their sound. But everyone is different especially on mouthpeices.
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Jazz an classical mouthpieces
Quote from: Njz01 on Jun 08, 2017, 09:10PMFor classical, I play on a Bach Stradivarius small bore f attachment trombone.
I assume this is a 36B or 36BO, which is actually a medium bore (.525"). The 36B is very receptive to mouthpiece changes, in terms of color, range, genres of playing. So...
Quote from: Noahharry on Jun 08, 2017, 09:41PMIts pretty standard for high schoolers to switch to a 5g size. For most it will open up and darken their sound. But everyone is different especially on mouthpeices.
Or, of a similar size, a Schilke 51. Both are readily available new and used. But keep in mind:
Quote from: BGuttman on Jun 08, 2017, 09:32PMLots of folks play the 6.5 mouthpiece for jazz and classical. You need to learn to PLAY the 2B -- it requires less air and more finesse. Every mouthpiece choice is some kind of compromise and the 6.5 AL is a great one to start from.
And especially important:
Quote from: BGuttman on Jun 08, 2017, 09:32PMI found that the best thing unless your mouthpiece is REALLY getting in your way, is to practice a lot of long tones and lyrical etudes to work on your tone. Or ask your teacher (don't have one? tsk, tsk). Maybe schedule a Skype lesson with Doug Elliott. See if the 6.5 is really limiting you or you are trying to buy your way out of practicing boring exercises.
Quote from: BGuttman on Jun 08, 2017, 09:32PMHow about a 1 1/2 G and a sledge hammer?
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I assume this is a 36B or 36BO, which is actually a medium bore (.525"). The 36B is very receptive to mouthpiece changes, in terms of color, range, genres of playing. So...
Quote from: Noahharry on Jun 08, 2017, 09:41PMIts pretty standard for high schoolers to switch to a 5g size. For most it will open up and darken their sound. But everyone is different especially on mouthpeices.
Or, of a similar size, a Schilke 51. Both are readily available new and used. But keep in mind:
Quote from: BGuttman on Jun 08, 2017, 09:32PMLots of folks play the 6.5 mouthpiece for jazz and classical. You need to learn to PLAY the 2B -- it requires less air and more finesse. Every mouthpiece choice is some kind of compromise and the 6.5 AL is a great one to start from.
And especially important:
Quote from: BGuttman on Jun 08, 2017, 09:32PMI found that the best thing unless your mouthpiece is REALLY getting in your way, is to practice a lot of long tones and lyrical etudes to work on your tone. Or ask your teacher (don't have one? tsk, tsk). Maybe schedule a Skype lesson with Doug Elliott. See if the 6.5 is really limiting you or you are trying to buy your way out of practicing boring exercises.
Quote from: BGuttman on Jun 08, 2017, 09:32PMHow about a 1 1/2 G and a sledge hammer?
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Jazz an classical mouthpieces
In my own mouthpieces, a good step up would be:
LT 101, C+, D3 for the 2B (slightly larger rim size and a slightly shallower cup than a 6-1/2AL)
and
LT 101, G, G4 for the 36B (approximate equivalent of a small shank 5G; a little larger and deeper than a 6-1/2AL)
LT 101, C+, D3 for the 2B (slightly larger rim size and a slightly shallower cup than a 6-1/2AL)
and
LT 101, G, G4 for the 36B (approximate equivalent of a small shank 5G; a little larger and deeper than a 6-1/2AL)
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Jazz an classical mouthpieces
Doug's mouthpieces are excellent - they are what I play on. Another option would be Curry mouthpieces. They have models that use the same rim with varying cup depths.
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Jazz an classical mouthpieces
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I recently submitted this to Monette for production, but I'm not sure it's available yet. It will produce the tone you desire. It's going to be called the 1XL.
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Jazz an classical mouthpieces
What has your teacher suggested?
have a Skype lesson with Doug!
have a Skype lesson with Doug!
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- Posts: 0
- Joined: Sat Mar 31, 2018 11:58 am
Jazz an classical mouthpieces
What has your teacher suggested?
have a Skype lesson with Doug!
have a Skype lesson with Doug!