Burgerbob wrote: ↑Fri Aug 30, 2024 10:32 am
hiktro wrote: ↑Fri Aug 30, 2024 2:46 am
Nice. It looks very slim.
How did you feel about nickel tuning slide? I have not played the nickel TS yet and would be happy to hear your thoughts.
It is very good- bit more focus, more tenor in the sound, but not bright or nasty. Very dense and quick responding. I also have a gold brass, they are both great for different things.
I built that setup from Aidan, let me tell you that all Bach parts are not created equal. I own an artisan TS47N (nickel) and it doesn't play anything like the one I built Aidan, but I didnt assemble my factory one and Aidan's was carefully built by me. It's better to buy a few Artisan parts and retrofit an existing main TS slide than rely on a factory build at this point. It also takes forever to get parts from Bach. That nickel crook took 14 months to get! And I have outstanding orders at the moment coming up on one year out. Bach also sells the stepped ferrule to reverse their tuning slides which is what is on that tuning slide.
The temper of the metal in some of these slide crooks is also suspect, so having a competent tech working on your setup is important when using factory parts. On another note Hoelle also makes gold brass seamed crooks which are a nice option versus pure copper if that isn't your preference.
I don't remember if I did anything to this nickel TS crook but Aidan's gold brass TS stunk until it was heat treated.
I absolutely love how close in that original bent port axial wrap is. I used parts made on the original tooling from OE Thayer.
Speaking of that compact wrap I love the wider bends, its funny how some makers have open wraps with one or two sharp 90 degree bends in their designs. Totally missing the point. But then again, sometimes they don't cause playing issues either
Benn