Difference between a Bach 6.5AL, 6.5A, and 6.5AM
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Just out of curiosity, what is the difference? I reall know nothing about mps, so if y'all could be so kind to enlighten me!
Really I'm just wondering. What do all these letters mean?
I mean, I just realized what the numbers and letters mean on horns.
Really I'm just wondering. What do all these letters mean?
I mean, I just realized what the numbers and letters mean on horns.
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Bach Mouthpiece Manual.
In general, Bach designations give you a clue about rim diameter and depth, but nothing else. It's not systematic like Elliot codes.
In general, Bach designations give you a clue about rim diameter and depth, but nothing else. It's not systematic like Elliot codes.
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Based on the manual, it looks like the main differences on the small shank versions are the throat and backbore. The 6 1/2A has the standard small shank throat and backbore, the 6 1/2 AM has the "F" (.257") throat and #413 backbore, and the 6 1/2 AL has the "G" (.261") throat and #420 backbore.
This is somewhat different for the large shank mouthpieces though. In that series.the 6 1/2AM and 6 1/2AL have the same specs, but the 6 1/2A has the full "bass trombone" throat and backbore, .276" throat with #429 backbore.
The rim and cup are all identical I believe.
This is somewhat different for the large shank mouthpieces though. In that series.the 6 1/2AM and 6 1/2AL have the same specs, but the 6 1/2A has the full "bass trombone" throat and backbore, .276" throat with #429 backbore.
The rim and cup are all identical I believe.
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
I can share my experience with the the AL and AM...
In the early 90's (during college) my prof pushed me from a Schilke 51B to the 6.5AL. It just never worked. Even after extensive playing and time to adapt it lacked focus and clarity for me. I tried the 6.5 AM and it worked well for me from the first note.
My best suggestion for you --> Try all of them back to back and decide from there. Have someone you trust and knows trombone to help with a blindfold test. Play what works.
In the early 90's (during college) my prof pushed me from a Schilke 51B to the 6.5AL. It just never worked. Even after extensive playing and time to adapt it lacked focus and clarity for me. I tried the 6.5 AM and it worked well for me from the first note.
My best suggestion for you --> Try all of them back to back and decide from there. Have someone you trust and knows trombone to help with a blindfold test. Play what works.
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Your switching to a 5G so don't worry about it!!!
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
I didn't switch to a 5G until College. I was all-state two years in HS, so I don't think the 6 1/2AL held me back. I did audition with a king 3b though.
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Daveboy.....not dissing the 61/2 but in another port otis has said she is switching to the 5G size!
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Yes. The 5G is more comfortable for me. My friend walked into rehearsal one day, said try ou my new mp, put it in my horn, and told me to play. I warmed up. I loved it. He told me it was a 5G and said I could use it for a week because he wasn't eating his large bore until then and was playing a small bore. I loved the mp though. It was basically a blind test.
To be quite honest, I don't know anything about mps. I just saw a 6.5A online and thought it was a typo. I'm just generally curious about the whole thing.
But thanks for your thoughts everyone! I feel more knowlagable about the whole thing!
To be quite honest, I don't know anything about mps. I just saw a 6.5A online and thought it was a typo. I'm just generally curious about the whole thing.
But thanks for your thoughts everyone! I feel more knowlagable about the whole thing!
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
hi!
Has anyone played a 6 1/2A?
I understand, that it has bigger throat, does that mean that it will have better low range than 6 1/2 AL?
I'm interested in it because there are few at Dillons store, so I can buy it and get it to Latvia!
Has anyone played a 6 1/2A?
I understand, that it has bigger throat, does that mean that it will have better low range than 6 1/2 AL?
I'm interested in it because there are few at Dillons store, so I can buy it and get it to Latvia!
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Quote from: robinsjanis on Jun 14, 2014, 01:28AMhi!
Has anyone played a 6 1/2A?
I understand, that it has bigger throat, does that mean that it will have better low range than 6 1/2 AL?
I'm interested in it because there are few at Dillons store, so I can buy it and get it to Latvia!
the 6 1/2A have the standart Bach throat for small shank pieces 5,8 mm
the 6 1/2AM have a 6,53mm throat and the 6 1/2AL a 6,63mm throat
Has anyone played a 6 1/2A?
I understand, that it has bigger throat, does that mean that it will have better low range than 6 1/2 AL?
I'm interested in it because there are few at Dillons store, so I can buy it and get it to Latvia!
the 6 1/2A have the standart Bach throat for small shank pieces 5,8 mm
the 6 1/2AM have a 6,53mm throat and the 6 1/2AL a 6,63mm throat
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Quote from: heinz gries on Jun 14, 2014, 02:55AMthe 6 1/2A have the standart Bach throat for small shank pieces 5,8 mm
the 6 1/2AM have a 6,53mm throat and the 6 1/2AL a 6,63mm throat
forgot to say that I'm interested in large shank version!
the 6 1/2AM have a 6,53mm throat and the 6 1/2AL a 6,63mm throat
forgot to say that I'm interested in large shank version!
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
QuoteMy friend walked into rehearsal one day, said try ou my new mp, put it in my horn, and told me to play. I loved it.
Ewww germs!
Ewww germs!
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Quote from: robinsjanis on Jun 14, 2014, 05:01AMforgot to say that I'm interested in large shank version!
Then you are right.Same rim and cup as No. 61⁄2A small shank tenor trombone,
but with full bass trombone throat (7mm) and backbore for a rich,
compact sound of large volume.
Then you are right.Same rim and cup as No. 61⁄2A small shank tenor trombone,
but with full bass trombone throat (7mm) and backbore for a rich,
compact sound of large volume.
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Quote from: vegasbound on Aug 22, 2012, 09:18AMYour switching to a 5G so don't worry about it!!! 
Heh +1
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Heh +1
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Quote from: robinsjanis on Jun 14, 2014, 01:28AMhi!
Has anyone played a 6 1/2A?
I understand, that it has bigger throat, does that mean that it will have better low range than 6 1/2 AL?
I'm interested in it because there are few at Dillons store, so I can buy it and get it to Latvia!
I use a 6 1/2A small shank and I really like it. I find it is quite good in all registers. I have a large shank version and I don't feel that comfortable with it. It seems to backup on me. I have some friends who have tried it and they think it's great. I'm using a 4G on my large shank Trbns. That fits me better.
Has anyone played a 6 1/2A?
I understand, that it has bigger throat, does that mean that it will have better low range than 6 1/2 AL?
I'm interested in it because there are few at Dillons store, so I can buy it and get it to Latvia!
I use a 6 1/2A small shank and I really like it. I find it is quite good in all registers. I have a large shank version and I don't feel that comfortable with it. It seems to backup on me. I have some friends who have tried it and they think it's great. I'm using a 4G on my large shank Trbns. That fits me better.
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Quote from: Trav1s on Aug 22, 2012, 08:05AMI can share my experience with the the AL...
Even after extensive playing and time to adapt it lacked focus and clarity for me...
Ditto
Even after extensive playing and time to adapt it lacked focus and clarity for me...
Ditto
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Bill Watrous uses the AM for his 36
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Quote from: Bone Appetit on May 13, 2017, 06:52AMBill Watrous uses the AM for his 36
I thought Watrous plays Bach 16M and Mt. Vernon 11C.
I thought Watrous plays Bach 16M and Mt. Vernon 11C.
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Quote from: Trombocholik on May 13, 2017, 12:34PMI thought Watrous plays Bach 16M and Mt. Vernon 11C. 
I would be surprised if he didn't own more than one trombone.
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I would be surprised if he didn't own more than one trombone.
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Quote from: Matt K on May 13, 2017, 12:37PMI would be surprised if he didn't own more than one trombone.
It's his style and his sound concept. I can't imagine it on a Bach 36.(IMHO)
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Here's what Watrous said in an interview with the Sept '94 issue of the Instrumentalist magazine:
"A lot of players use 6-1/2AL's; locally that seems to be a standard mouthpiece, especially with younger players...I find it difficult to center on them because of the shape of my face and what I'm used to. A 6-1/2AM works better with my 36."
He does indeed use the MV11C on his LT16M, altered in this way: "it opens up to a New York back bore similar to Bill Ratzenberger's Jet-tone mouthpieces. It opens up the throat so the sound sails instead of being constricted."
"A lot of players use 6-1/2AL's; locally that seems to be a standard mouthpiece, especially with younger players...I find it difficult to center on them because of the shape of my face and what I'm used to. A 6-1/2AM works better with my 36."
He does indeed use the MV11C on his LT16M, altered in this way: "it opens up to a New York back bore similar to Bill Ratzenberger's Jet-tone mouthpieces. It opens up the throat so the sound sails instead of being constricted."
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Difference between a Bach 6.5AL, 6.5A, and 6.5AM
Here's what Watrous said in an interview with the Sept '94 issue of the Instrumentalist magazine:
"A lot of players use 6-1/2AL's; locally that seems to be a standard mouthpiece, especially with younger players...I find it difficult to center on them because of the shape of my face and what I'm used to. A 6-1/2AM works better with my 36."
He does indeed use the MV11C on his LT16M, altered in this way: "it opens up to a New York back bore similar to Bill Ratzenberger's Jet-tone mouthpieces. It opens up the throat so the sound sails instead of being constricted."
"A lot of players use 6-1/2AL's; locally that seems to be a standard mouthpiece, especially with younger players...I find it difficult to center on them because of the shape of my face and what I'm used to. A 6-1/2AM works better with my 36."
He does indeed use the MV11C on his LT16M, altered in this way: "it opens up to a New York back bore similar to Bill Ratzenberger's Jet-tone mouthpieces. It opens up the throat so the sound sails instead of being constricted."