dead notes on lower positions.

How and what to teach and learn.
Post Reply
8parktoollover
Posts: 204
Joined: Fri Jul 06, 2018 1:44 am
Location: Modiin Israel

dead notes on lower positions.

Post by 8parktoollover »

As mentioned notes on positions 5-7 don't sound as resonent and clear as notes in the upper positions. I also find slotting issues in those positions. Could this be my fault or bad gear?
User avatar
BGuttman
Posts: 6373
Joined: Thu Mar 22, 2018 7:19 am
Location: Cow Hampshire

Re: dead notes on lower positions.

Post by BGuttman »

You may be shortchanging the positions just because your arm doesn't stretch that far. How are the corresponding F-attachment notes compare to 6 and 7 (C and B natural)?
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
baileyman
Posts: 1055
Joined: Fri Mar 23, 2018 11:33 pm

Re: dead notes on lower positions.

Post by baileyman »

The more I play out there the better they get. They will always have a slight timbre change, but then every note has one. (The other notes are just the ones we listen to all the time.) Try doing your workouts in every position. Fit glisses into your exercises so you can get from 1st to 6th and back on every partial. On slotting, the partials feel "closer" together so it can feel confusing to hit the right pitch when the same pitches also occur closer in. But doing flexies in 5 and 6 or a regular basis and fairly soon the confusion should sort out.
User avatar
Burgerbob
Posts: 5136
Joined: Mon Apr 23, 2018 8:10 pm
Location: LA
Contact:

Re: dead notes on lower positions.

Post by Burgerbob »

They take a lot of practice. However, a leaky slide will nullify all of that quickly. My first Edwards dual bore was so leaky that it had no 7th position.
Aidan Ritchie, LA area player and teacher
User avatar
Doug Elliott
Posts: 3426
Joined: Wed Mar 21, 2018 10:12 pm
Location: Maryand

Re: dead notes on lower positions.

Post by Doug Elliott »

Something I see a lot, because I recognize it, is this:

If your slide arm is pulling your horn to the right in outer positions, but your low range needs to be to your left, you could be moving your embouchure to where that range just simply doesn't work and will never sound good.

This is the sort of stuff I diagnose and fix in Skype lessons. You might figure it out on your own but most people don't.
"I know a thing or two because I've seen a thing or two."
Post Reply

Return to “Teaching & Learning”